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L A M U J E R C O N S T R U Y E W o m e n w h o b u i l d |
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"PUBLIC SPACES IN MADRID". Ana Rodríguez García, Spanish architect. |
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In
my presentation, I am going to speak about 2 projects for public spaces
carried out in Alcorcon, a municipality of the metropolitan area to the
south of Madrid, in conjunction with Rafael Hernando de la Cuerda. The
projects involved the spaces between the apartment buildings of a
neighbourhood built in the sixties and seventies and a multi-use public
space equipped to accommodate a weekly street market. I
want to speak about them because on two very different scales, they
address very common urban problems. We
always have defended the need to undertake urban improvements as if they
were architectural projects, in a desire to diffuse the stagnant division
between architecture and urban planning, which has proven so harmful in
many cases. Thus, in the case of the project involving the 47,000 m2, we
were faced with the challenge of putting our ideas into practice in a
large-scale work and in a municipality unfamiliar with the concept of
urban design until the very recent past. The
projects were committed to a high level of quality, as we believed that
this effort was especially necessary in an urban environment such as that
described, our fundamental objective being to improve the physical
characteristics of the urban environment that existed before the works. Toward
this end, we studied the solutions and languages of the historical city,
as well as the Modern Movement and 20th century landscaping (the
relationship between artistic vanguards at the beginning of the century
and gardening and landscaping, works by Roberto Burle Marx, Aldo Van Eyck,…). Rather
than treating the solutions obtained as stereotypes, given that they had
to be adapted to the particular characteristics of each case, we
considered them reflections that could be extrapolated to urban spaces
with characteristics similar to those that commonly exist in numerous
cities. 1.
The
understanding of the city as a place of relationships compels us to
reflect on the need for public spaces that permit and foster these
relationships, both in the urban planning phase as well as in individual
projects. The
spectacular growth of the Madrid metropolitan area during the sixties and
seventies was concentrated primarily in the province’s southern
municipalities. Morphologically, this growth took place in the form of new
suburbs, in the majority of cases without prior planning or coordination.
This gave rise to an extraordinary expansion with enormous deficiencies in
infrastructure and services. For
purposes of this presentation, I would like to distinguish between two
types of projects. Objectives
posed
Criteria
followed Project
for the Spaces between the apartment buildings. These
units consist of an area measuring approximately 25x175 metres with a
height of five stories, all of them residential. Unlike the other areas to
be treated, these spaces have a character in between the public and the
private. They are public because their use is open to the neighbourhood.
However, at the same time, they are somewhat private in nature because of
their size, the presence of trees and their relation to the edification. The
basic starting points for understanding these spaces were: the existing
trees of significant size, randomly and irregularly situated; the
existence of natural paths among the underbrush, running parallel to the
rows of apartment blocks; existing elements of infrastructure also placed
lengthwise along both sides of the edifications; the orientation of the
bottom floor apartments; and the effect on these dwellings that the
improvement might have on these up until now infrequently used back areas.
The solution we adopted was to search for an order that would organise
these areas, adapted to the characteristics described and incorporating
the existing irregularities. In line with this solution, we decided to
respect the trees; consolidate the longitudinal transit with the sitting
and play areas; maintain a higher proportion of surface area for gardens
in relation to pavement; and preserve, to the extent possible, the privacy
of the street level apartments. We
divided the project into 5 levels: Trees and gardens, Pavement,
Installations and infrastructure (Sewer, Drip Irrigation and Public
Lighting), Urban Fixtures and Playgrounds. Trees and Gardens We
moved the earth in a lengthwise direction, more or less parallel to the
edifications, in order to create low undulations in the terrain. The
purpose was to diversify the landscape and at the same time ensure, to the
extent possible, the greatest degree of privacy for the ground level
apartments in these areas. For this reason, on the slope of the knolls
facing the buildings, we planted fragrant plants and bushes such as thyme,
rosemary and lavender, etc. This created a dense, difficultly fordable
vegetation, which we envisaged would create a less accessible area next to
the buildings. We chose this type of vegetation because it is easy to
maintain, is indigenous to the area, and because of its aromatic
properties depending on the season. Pavement The
earthen surfaces used in the playground areas, were also treated as
pavement, in that we constructed a drainage system and used non-clayey,
non-purulent soils. Installations Urban fixtures Playgrounds 2. There
are numerous examples in the traditional city of public spaces with
multiple uses. We chose the Piazza del Campo in Siena, Italy, and the
Plaza Mayor of Chinchon as references. The
street market of San Jose de Valderas, is held one day a week in an open
area next to two important streets, which over the past few years have
become a fast way of reaching the Boulevard, on the same block as the
Municipal School of Music, and adjacent to several public schools and
other services. Solution adopted The
project included 3 functionally differentiated areas, which in addition to
equipping the space with the installations necessary to accommodate the
street market, would generate locations and relationships with the
surroundings and “suture” this part of the city with respect to the
surrounding streets, improving access for vehicles and pedestrians to the
School of Music and the adjacent park. We foresaw a 2nd phase,
the construction of a stable pavilion to house equipment, first aid
services and public bathrooms, as well as the construction of new parking
zones and accesses. Up until now these services are set up on market days
on a temporary basis. The
area designated for the stands is a more or less regular 6,010 m2.
rectangle. This rectangle is divided lengthwise into 5 rows with 16 stands
per row. There are 2 streets running lengthwise and 2 cross streets with a
width of 5 and 6 metres depending on the street, in addition to the
outside spaces. The
organisation and numeration of the stands is permanently indicated by the
layout of the pavement. The paving consists of 8 cm thick prefabricated
concrete paving stones designed for vehicle traffic. Each stand measures
6x5 metres and is designated by its corresponding number, assigned to each
vendor through an administrative drawing of lots. In the project, this
organisational need of the City Hall becomes the non- evident order that
generates the image of the street market. It is important to point out
that while we did not want the order to be apparent, we wanted the order
to generate a formal abstract result which at the same time would evoke
the colour and fragmentation of traditional street markets and fairs.
Nonetheless, at a closer look, the stands are recognisable, making it
easier to control the encroachment on adjacent stands by more influential
vendors. We
planted rows of acacias in order to encourage the renewal of the area as a
public space when the street market is not held. The trees were planted in
rows that run perpendicular to the area’s length in order to create a
series of smaller spaces that favour its use as a plaza. The
system employed in the electrical installation for the power outlets of
the vendors, lets you charge the entire area or only certain parts in the
case that smaller markets are held. There is a centralised switching
system that lets you charge the installation by phases or disconnect it
completely when the space is used as a plaza in order to avoid accidents. Finally,
I would like to conclude by emphasising that during the development and
execution of the project we held meetings with the two existing merchants
associations. Through the municipal services, these associations reached a
consensus and accepted the project. I also would like to cite the comments
of Wolfgang Braunfels in his book Western Monastic Architecture (“Abendländische
klosterbaukunst”, 1969) with regard to San Benito’s rule. I think
that it expresses simply, accurately and beautifully a certain attitude
which confers an equal importance on that which is quotidian, specific,
global or universal. In
chapter XXXI of his rule, San Benito speaks about the obligations of the
caretaker of the monastery. “Treat all the furniture and property of the
monastery as if they were sacred vessels of the altar. Never fail to
appreciate things. (c.f. Documents, number 1, chapter XXXI). This rule was
a starting point in the effort to confer formal perfection on the
furniture and all utensils in the good monasteries. Here the monk is
compelled to see his daily activity as something sacred for the simple
reason that it belongs to the monastery. The rule demands an ethical
approach to objects that runs parallel to an aesthetic care. Ana
Rodríguez García, architect. |